Abruzzo Erickson Syndrome, commonly known as CHARGE syndrome, is a rare genetic disorder.  The term CHARGE is actually an acronym to help describe the most common symptoms which can be seen in infants born with this condition.

Symptoms

The most common symptoms of Abruzzo-Erickson syndrome include central nervous system anomalies including Coloboma of the eye, Several different types of heart defects, Retardation of growth resulting in the person being small in stature, Atresia of the choanae, Abnormities of the ear sometimes including deafness.  Very few people with this syndrome experience all of these symptoms but typically at least two or three are present in most cases.

Precisionism appeared as an art movement and it is widely known as Cubist Realism. It made public in the United States after World War I and it was its peak during the inter War period. The concept was first known in the beginning of 1920s.  Cubism and Futurism both convinced the term, Precisionism. The major themes are industrialization and the modernization of the American landscape as these were portrayed precisely. The geometrical forms are stridently defined as well. The concepts were based on the streamlined architecture and the machinery of the beginning of the 1900s.

The artists of the Precision named themselves American strictly and tried to bypass the European artistic influences. In the movement, the respect on the industrial age is visualized. However, the social comment was not a major issue to the fashion. The variation of abstraction in the progression started from The Figure 5 in Gold from 1928 of Charles Demuth to the work of Charles Sheeler verging on the photorealistic. Including paintings, Charles Sheer prepared the photographs of factories and the buildings of the industry comparing with the photographer friend, Paul Strand. The paintings of Precision reserved a very smoother and precise technique; sharply it is delineated colors and the geometrical forms. The precisionists never appeared as a group. However, these precisionists were linked with their painting styles and the subjects. The works of the American photographers convinced Precisionism and they were Paul Strand born in 1890 and died in 1976.  Paul used to take a sharpen focus and lighting, unassuming cropping and viewpoint. It possessed a curved to the abstract form of the subject.

The Western American Paining takes place in 1950s and it is known as the Post-Painterly Abstraction. The term, Post-Painterly Abstraction becomes popular. The prominent art viewer Green Greenberg provided an appropriate title for an art exposition in the year, 1964. The related painters utilized the physical openness of design in consistency with the un-modulated colors. The Post-Painterly Abstraction accesses the high-edge color field paining figments of the abstract Art.  These works often savor with the Hard Edge paintings, brought sharp contours, stressed the flat colors. These artistic paintings became focused in Abstract Expressionism. It leads the art viewers of the 50s and 60s that made it well-liked.

The art progression, Pop art made public in the middle part of 1950s in Britain and the later part of 1950s in the United States of America. Pop art offered a challenge to the conventional fine art with the involvement of imagery that was derived from the well liked traditions including advertising, and news.  The ingredients from the Pop art are visually eliminated from its known context, isolated and or it combines with the irrelevant ingredients. The term of Pop art is not recognized how it appears as a leading one.

Pop art involved the features of the mass culture including advertising, comic books and the mundane cultural objects. It reacts to the abstract expressionism appearing as the leading ideas. Because of the utilization of the objects and images that are found; it is comparable with Dada. The Pop art likes to incorporate the images of the popular cultures and it is opposition of exclusive culture in the art. It concentrates on the ordinary or vulgar ingredients in any found tradition and it is often based on satire. It is also related with the mechanical means of the artist that is depending upon the re-manufacturing or the descriptive techniques. Most of the Pop arts are dissimilar. The most of the conceptual practices are often used that helps it become difficult for something to willingly realize. The Pop art and the Minimalism are thought to be art progressions preceding the post-modern art. Pop art takes the imagery that is contemporary using in the modern advertising.  The artists of the Pop art choose the product labeling and the logos figure appearing in the mental images prominently. The examples can be the Soup Cans labels of the Campbell based on the Andy Warhol. The labeling on the shipping carton is the subject matter in the Pop art as well.

The Plop art is used to describe the different types including Abstraction, Modernism, or the Contemporary Artworks. It focuses on the sculptures mostly. These can be seen in front the corporate houses, plazas, parks, and the other public places. Plop art can also be considered in a pessimistic view. The people from the different quarters did not accept the term, Plop art because these artworks were thought to be unattractive or unsuitable due to the installation difficulties in their places or the related adjoining areas. Plop art is derogatory term for the public art including the larger abstract modernist or the contemporary sculpture. This concept implies the unattractiveness or inappropriateness of the work towards its surroundings. Plop art appears as a play on the term, Pop art. According to the data, the architect, James Wines coined this term during the time of 1969. The conservatives and the progressive sectors mockingly took this term. The progressive seemed to be critical about the relationship between the public art and the architecture as many public arts failed to sustain in an environmentally-oriented approach. However, the conservatives preferred this term because it showed something that is formless, meaningless or hideous appearing without any real skill or any proper care.

As said by many people, the word plop indicated something that appeared mistakenly. In recent times, the protectors of the public art tried to retrieve the term. The book Plop: Recent Projects of the Public Art Fund rejoices the success of the Public Art Fund as many public art works are financed over the last decades. Many of them became adored. However, in the beginning this term was ridiculed as ploppings. There are progressions in the contemporary art including the environmental sculpture, site specific art or land art counterbalancing them as philosophically the plop art is considered the conventional public monumental.

La Grande Vitesse, the sculpture of Alexander Calder was placed in the Grand Rapids. Michigan in 1966 and it is thought to be the defining moment in the history of art. Alexander was born in 1898 and died in 1976. It received a great response and provided a huge impact on the urban renewal process of the city. There were the mixed reactions. The criticisms and appreciations regarding the artwork guided the intervention of an entire new industry of Plop Art.  The term Plop art indicated the larger object or the sculptures that are placed in front of the public place, inappropriately. Fundamentally, the random slopes of the Plop Art shows the capacity, originality and the thoughts of the related artists to utilize a space for dominantly affecting the local people.

There is a Non-Government organization, Public Art Fund located in New York. Doris Freedman was born in 1928 and died in 1981and and the organization was established by him. Doris was also the director of the cultural affairs, New York and the president of the Municipal Art society. The wardens of public art fund supported this concept. The association supports the works of the visual arts throughout the New York City. This association also helps exhibit, install and commission those artworks. Many of the pieces are accepted and liked; however, when these were installed, these were not preferred as plopping. There are many existing art progression like land art, environmental sculpture as well as the site-specific art known as an opposition of the Plop art.

In the modern era, the modern things merge the old new things to rectify and create a new one. Based on the conglomeration of new and old subjects, a new genre of photograph was formed and it is known as Photorealism. Other than the photographers, the painters dominate this form of art implying a painting of a photograph.  Likewise, Photorealism is the type of the painting depended upon utilizing the camera and the photographs to accumulate information. Therefore, this information helps create a painting appearing as photographic. This concept initially made public in the United States of American as an art progression in the later part of 1960s and in the beginning of 1970s. The form of art, hyperrealism is also derived from it. Both Abstract Expressionism and Minimalism appeared as the counterpart of Photorealism that was originated from Pop Art. During this time, it was wrongly misunderstood as the Super Realism, New Realism, Sharp Focus Realism and the Hyper Realism.

The Photo-Secession progression made public in early twentieth century making upgrade the photography as a fine art particularly photographic pictorialism.  Alfred Stieglitz along with F. Holland Day directed the group in 1900s. There appeared a contradictory viewpoint. A photograph was lost its original image as the artists or the photographers altered it because of gaining their subjective vision. This progression made raise the standards and awareness of the art photography. The group appears as the American counterpart that linked Ring. There was an invitation of a British group and it was withdrawn from the Royal Photographic Society. The national arts club asked Stieglitz to arrange an exposition for the best existing American photography, and the group took a shape in 1902.

The art movement, Pattern and Decoration took place in the United States. It started rotating between 1970s and 1980s. This movement has been known as P&D or it has been called as The New Decorativeness. The gallery owner, Holly Solomon made this movement successful. This art progression appeared as a subject of a display of museum at the Hudson River Museum and it was closed in January, 2008. In the middle of the twentieth century, the term, decorative used to reduce the quality in the contemporary art phraseology.  The word, Decorative was associated with unimportant. The existing negative view of decoration was taken by non-Western cultures.  With many parts artfully combined and the well-organized pattering and the artistic combination of the many parts are available in Islamic, Byzantine and Celtic art.

Walter Pach was born in 1883 and died in 1958. He was known as artist, writer, art adviser and the art historian. He wrote on modern art and the championed the cause of the modern art extensively. He produced many books, articles and translations of European art texts. Pach introduced the budding modernist viewpoint to the American public. He arranged the expositions of the existing art at New York City galleries during the time and the landmark show, 1913 as it was known as the International Exhibition of Modern Art, the Armory Show.   With the painters Arthur B. Davies and Walt Kuhn, he organized the leading existing European and the American artists. Pach assisted John Quinn and Walter Aresnberg to accumulate their collections. He seized the individual works for the museums like Thomas Eakins for the Louvre and The Death of Socrates for the Metropolitan Museum of Art of Jacques-Louis D.

The involvement between continuous and theoretical or abstraction can appear in the artworks as these ideas or thoughts were written in a manifesto by Helen Lundberg and Lorser Feitelson linking to the Post-surrealism. This concept, Post-surrealism took place in the Southern California in 1934. Once this term is used to indicate the art movement that relates to surrealism as it occurred after a purported period of historical surrealism. However, some reviewers claimed that this term is unnecessary; since surrealism is to be continued up to the present time. The surrealist activities in the contemporary time appear as a post surrealism as it leads the idea of the surrealism and it indicates that surrealism is a dead term.